I will keep it simple and spice it up with various examples – as I would like to show you the practical applications of the theoretical understanding. In this series of tutorials/articles I will attempt to sum up some of the things I have come across.
Also, I’ve started to see what combination of notes can invoke what kind of emotions in listeners. I’ve begun to understand what ‘works’ and what doesn’t and for what reason. Having said that, I am beginning to appreciate the fact that some knowledge of music theory is a great tool when composing. What I am trying to say is that knowledge of music theory is not a must in order to learn how to compose (great) music. He cannot read notes yet I have tears in my eyes when I listen to his music. Also, I know someone who creates amazing songs without a ‘music theory background’. It simply is a fun – yet challenging – way to create music. Composing that way is great fun and a technique that is accessible for everyone and to all ages.
There is nothing wrong with that as I see it. chord progressions and playing lead melodies over them) by ear without having any grasp of music theory. FL Studio tutorial on aspects of music theory.įor quite some time, I’ve been composing (e.g.
